“Even in fully modernised tanneries it’s nearly impossible to reclaim pollutants generated by the tanning process,” says Adrián López Velarde, co-founder of Desserto, a Mexican company that makes leather-look material from cactus. We need to look towards circular economy alternatives, including the use of agricultural residues to create bio-leathers.”Īlthough conventional leather makes use of animal byproducts, production also involves toxic chemicals. “We urgently need to fix our relationship with fashion to halt unsustainable agricultural practices. “Cattle ranching is already the largest driver of deforestation in the Amazon,” says Carry Somers, co-founder of Fashion Revolution, the world’s largest fashion activism organisation. Fashion creates a high level of pollution – from overproduction of clothing and synthetic fibres, and also from animal leather production. The growth of bio-textile lookalikes for leather is driven by the fashion industry’s efforts to improve sustainability, though they’re also used in the car and furniture industries. The new materials are made using biotechnology. Many of the first generation of vegan alternatives used plastic – which also has devastating environmental consequences and can take hundreds of years to decompose. If you’re interested in whether the Bolide or the similar-looking Louis Vuitton Alma Bag came first, we have all the history you could want on that story.Mushrooms, pineapples, grapes, cactus and apples are just some of the organisms on the receiving end of billions of dollars of research and development funding to create leather and plastic replacements. The Bolide has gone through several phases, but the idea for the bag dates back to 1923, when the first version was created to commemorate the launch of a new model of Bugatti. You don’t have to invest in a Birkin to join the Hermès club. Here, we’ve found ten iconic, longstanding bags from the brand that are well worth knowing, plus a few details about each. If you’re new to the handbag game or just new to having an interest in Hermès, figuring out all the things the brand makes beyond the Birkin can be a little opaque. There are just more people who know about them, which makes them scarce. Those designs are by far the brand’s most famous pieces, which is a huge factor in why they’re so hard-to-get, but that doesn’t necessarily mean they’re better than the other gorgeous bags the brand makes. The most difficult Hermès things to buy, of course, are Birkin and Kelly bags-you either have to build up a relationship with a particular store, or you have to get really lucky (or, even better: both). When you think about all the distinct pieces that results in, it’s suddenly not so mystifying why any particular Hermès bag can be difficult to buy at any given boutique: there’s simply not a whole lot of any one thing because there are so many potential things. Not only does Hermès make the most impressively detailed array of colors in the handbag world (there are like a dozen different pinks available on the brand’s website right now in various styles), but the brand applies those colors to dozens of bag styles, many of which come in multiple size and structure variations, as well as multiple hardware options. The biggest exception to this is Hermès, just like Hermès is the biggest exception to almost all the rules in high-end accessories. Even brands like Gucci, which seems to have an endlessly diverse product array, put the majority of their bag resources into a few big lines, like the Dionysus, Marmont, Sylvie and Ophidia collections that are out right now. Most brands, even those who produce at a global scale, limit things in one way or another in order to simplify their supply chains: either they only make a limited number of shapes at one time, or they only make a certain number of colors. Trying to think about the breadth of Hermès’s handbag output in a given year makes me feel a little dizzy.
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